Peter J Carroll

“The most original, and probably the most important, writer on Magick since Aleister Crowley."
Robert Anton Wilson, author of the Cosmic Trigger trilogy.

Peter Carroll began his career in Magic at London University where the Chemistry proved so tedious that he settled on a pass degree in that and an unauthorized first in Magic, with Liber Null & Psychonaut emerging as his postgraduate thesis over the next several years whilst teaching high school science.

He then set off around the world wandering in the Himalayas, building boats in India and Australia and seeking out unusual people.

Then after a stay in Yorkshire, he headed back to the Himalayas for a while again before returning to settle in the west of England to found a family and a magical order. Appalled by the compromises made by so many magi to make a living out of their writing or teaching, Carroll decided to make his fortune with a natural products business so that he could write and teach only what had value and interest for him.

He maintains a personal website at specularium.org and acts as Chancellor to Arcanorium College arcanoriumcollege.com.

  • Past Grandmaster of the Magical Pact of the Illuminates of Thanateros

  • Chancellor of Arcanorium College

  • Acting Marshall, Knights of Chaos

  • A Bard of Dobunni Grove

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Eye of Agomotto


To prepare this most puissant magical amulet let the sorcerer first study the career of The Sorcerer Supreme, the mythical Dr Steven Strange.
Then let the sorcerer travel to some far and remote peninsula in the old Celtic lands, there perhaps to find some ancient fool conducting a fire sale of lapidary items at a Craft Fayre, and purchase from him a large star ruby mislabeled as a garnet, despite its giveaway hexagonal columnar structure, for a mere five pounds fifty without haggling.


Then let the sorcerer find an unwanted and unused bench mounted electric grinder going for a mere twenty five pounds at a shop of worthy charity, and again purchase it without haggling.


Then under auspicious stars let the sorcerer grind the ruby to a cabochon over many nights, sacrificing the electric grinder to the Great Work in the process, chanting (without blasphemy) throughout.


Then let the sorcerer take an old watch that has died, and file its casing of adamantine steel down to accommodate the gem, finally burnishing the casing to the color of  bronze in a fire of ancient hydrocarbon gases, and then hammer in the jewel.


The metaphysical preparations can then begin. (Details to follow eventually, see http://en.wikipedia.org/wiki/Eye_of_Agamotto  for an interesting selection of magical properties that the sorcerer just might succeed to some degree in associating it with.)


Now that’s what I call Chaos Magic, the investment of meaning and effort into something that appeals to will and imagination, with due contempt for the conventions of dull common sense and myopic logic.


I strongly suspect that most published Grimoires got written retroactively, after a certain amount of literary research and practical experiment; they probably didn’t get delivered as finished items by deities and demons. Thus we should interpret them merely as general guides to the sort of stuff worth trying out.